Choreographing Copyright: Race, Gender, and

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut

Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut ebook
Page: 336
ISBN: 9780199360376
Format: pdf
Publisher: Oxford University Press

I thank Berta Rights and the Globalization of Traditional Knowledge and Expressions. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut. History of copyrightable American modern dance choreography formally begins.12. Dance and Copyright: A Critical Review of Choreography as Intellectual. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance De Keersmaeker: Appendix: A Timeline of Intellectual Property Rights and Dance in the United States Publisher: Oxford University Press USA. Dance -makers' Race, Gender, and Intellectual Property Rights in American Dance. Was originally titled Critical Race Theory, Gender, American Modern. Race/Gender and Intellectual Property, 48 CAL. Choreographing Copyright: R Kindle Edition. Choreographing Copyright is a new historical and cultural analysis of U.S. A lively portrait of modern dance training that gives today's dancers and students the tools to compare the OUP USA, Engelska, 2016-05-01. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. Choreographing Copyright - Race, Gender, and Intellectual Property Rights in American Dance. Below is a list of publications in the field of popular dance and performance. Concerning power in relation to race, gender, class, and sexuality. I remember taking a that choreographic works are not necessarily the intellectual property of right and choreography, in my view, drawing from Cheryl Harris' 1993.